#158 cinescope full
I then measure what the results were in Grey, and RGB, I also tried the full look loaded in Lattice. item 5 elite screens r158wh1-wide 158' 2.35:1 cinema235 ultra widescreen projector elite screens r158wh1-wide 158' 2.35:1 cinema235 ultra widescreen projector Free postage item 6 150' Cinemascope Fixed Frame Projector Screen Black Velvet Frame 2.35:1 150' Cinemascope Fixed Frame Projector Screen Black Velvet Frame 2. I then set Resolve to Alexa IDT and sRGB ODT and rendered the output to TIFF again. CinemaScope (anamorphic) (as Cinemascope). Sound Mix, 4-Track Stereo (Westrex Recording. The same jpg was then loaded into Resolve in ACEScc mode IDT and ODT and the complete LUT from Prelight loaded and rendered out to a TIFF. Runtime, 2 hr 38 min (158 min) 2 hr 36 min (156 min) (Sweden). The jpg that was the result of the above process was loaded into Prelight and a very simple grade applied, this was then output as a LUT in 2 forms, the first was grade only, the second IDT, RRT, Grade & ODT combined. Stewart Cima FF Fixed Frame - 158 (61.75x145.5) - Cinemascope 2.35:1 - 1.1 Gain CIF158SNEVEWX Description 2.5 Border SPEC Supported Resolution: 4K. In reality I will use BMD mini thunderbolt SDI adapter for input from camera to Prelight. ari file loaded into ARC and output as Logc Wide gamut jpg, this is to try and simulate what would happen next if we were using the camera output directly.
#158 cinescope software
I'm sharing these results on the basis that they are the first look and all the software used is either beta or in the process of being updated! Resolve in ACEScc with IDT & ODT from Resolve and Basic grade rendered out
![158 cinescope 158 cinescope](https://www.spacehifi.com.au/image/cache/data/products/projector-screens/elite-screens-ezframe-cinema235-acoustic-4k-fixed-frame-projector-screen/elite-screens-ezframe-cinema235-acoustic-4k-fixed-frame-projector-screen-01-400x400.jpg)
The images below show the process of creating LUT's for both on-set monitoring and producing Rushes using ACEScc in a very simple and inexpensive way
![158 cinescope 158 cinescope](https://live.staticflickr.com/2781/4468996857_8fd03d37e8_b.jpg)
Preliminary results of ACES workflow on low budget productions November 2016 Its 2.35:1 CinemaScope aspect ratio provides a super-wide-screen viewing experience, and its CineWhite flat tension PVC material optimizes broad light dispersion for uniform image brightness across all areas. Director: John Ford Stars: John Wayne, Jeffrey Hunter, Vera Miles, Ward Bond.
![158 cinescope 158 cinescope](http://fr.web.img6.acsta.net/c_205_116/videothumbnails/16/09/05/11/21/406785.jpg)
ACES for cinematographers (video demo/class) PIM product data: Projecta Tensioned Elpro Concept RF projection screen 4.01 m (158') 2.35:1 10100527 Projection Screens 158', Cinemascope, 2.35:1, 50 kg., compare, review, comparison, specifications, price, brochure, catalog, product information, content syndication, product info, product data, datasheet.ACES LUTs for use in a non-ACES environment.ACES-Geoff at AMPAS Cinematography Summit.